2 album, which did get a Swedish release. The single was never released by Polar Music in the group's native Sweden, instead being featured on the Greatest Hits Vol. This single version has never appeared on any commercial CD issued by Polar/Universal to date and along with the US promo edit of " Chiquitita", it marked the only time Atlantic ever commercially released an edited version of an ABBA single while they had the North American rights to release ABBA recordings.Īs of September 2021, it is ABBA's tenth-biggest song in the UK, including both pure sales and digital streams. It is believed the edit was done by Atlantic, ABBA's North American record label and not Polar, hence the reason why it was available only in the US and Canada. This was done by removing the first half of the opening instrumental, the first four of the eight bars of the instrumental bridge between the second and final chorus, and fading the song out early.
#After midnight video full
The single version of this song, which was released in its full length of 4:48 everywhere else in the world, was released in the United States and Canada in an edited format, being just 3:36 in length. ( June 2019) ( Learn how and when to remove this template message) Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources.
However, the group felt that "Gimme! Gimme! Gimme!", with its disco sound, would be a better choice, and thus, "Rubber Ball Man" remained nothing more than a demo. This song was also performed by the group during rehearsals for its 1979 tour as "Under My Sun". It featured the typical "ABBA-arrangement" with both Fältskog and Anni-Frid Lyngstad on lead vocals and the use of classical strings. Originally, ABBA had recorded another song, "Rubber Ball Man", which was planned as a single.
The melody line of the song was played on an ARP Odyssey synthesizer.
#After midnight video movie
Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence. "Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.
Second stunner “Payback’s A Bitch” and its massive riffing are on a quest for retribution, delivering a hard-hitting, second to none offense. The track is strikingly reminiscent of early- CHILDREN OF BODOM elements, while also adding exciting modern influences into the fold. Paint The Sky With Blood is an overwhelming tribute to an outstanding artist and an exceptional sonic heritage - matchless late guitarist/vocalist Alexi Laiho - and at the same time, a modern homage to the genre itself.Ī storm of raging guitars and blaring drums merge with Alexi Laiho’s versatile vocal power, leading into a heavy attack – title track “Paint The Sky With Blood” – opening the 14 minute EP of the same name.
Sadly, that chapter ended far too soon, and now, the three-track piece embodies a whole new meaning. The EP, Paint The Sky With Blood (out April 23 via Napalm Records), was recorded in Finland back in 2020 and was meant to be the beginning of an exciting new chapter. Their sonic plans were massive - including an EP release in the spring followed by a full-length album later in the year. In 2020, the news was flooded: Led by the extremely talented Alexi Laiho, newly formed supergroup BODOM AFTER MIDNIGHT was about to become the striking successor to legendary metal band CHILDREN OF BODOM.
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